Modslist Music Picks page for November/December, 1995.
T.G. Sison - (agsison@ucdavis.edu):
The Kinks - Something Else By The Kinks"
Not to much to say here. The Kinks were one of the best groups ever. This
album contains some of my favorite Kinks songs such as "Situation Vacant"
and "Waterloo Sunset."
The Zombies - "Greatest Hits"
They only put out two albums, and almost all of it is here. "She's Not
There," "Tell Her No," and "Time Of The Season" are here but even those
aren't the best tracks. Listen to "I Love You" and you'll see what i mean.
The Buzzcocks - "Singles Going Steady"
I don't know exactly what power pop is, but this is how i imagine it should
sound. The first half of the album is classic and is enough reason to
buy it. Don't pay attention to the last half, though. There's not much
there.
Cardinal - "Cardinal"
I think that's the title. Anyway this is one record that i listen to every
couple of days or so. This was a recommendation to me from a friend of
mine who said they had beatles and beach boys influences.
Blur - "Special Collector's Edition"
While i am disappointed with their latest disc, _sce_ is one of my
favorites. It's amazing that some of these songs were b-sides.
Barry Neuman (modcult@bway.net)
http://www.bway.net/~modcult/
The Jam - "Shopping".
It's a
melancholy but moving song which reminds me of the early 1960's British
cinema. It has a cool jazz sound. The lyrics make me think about of a
scenario of young, ambitious Britons going down to High Street to buy
clothing that will make them look handsome and express the type of high
self-esteem they have in themselves and provide them with means of crossing
over into a higher social class. The song also plays out the subtle human
drama of one's going out of the local neighborhood and into the center city
and experiencing the uncertainties of entering a significant and new
environment and--with a newly found humility--subjecting oneself to
interacting with the self-assured clothing shop sales staff (who may have a
haughty disposition). The song brings to mind the black-and-white films
that featured English streets that may have been traversed by a young
Michael Caine, Alan Bates, Peter Sellers, Lynn Redgraves, (not-so-young but
younger-than-now) Alec Guinness, and some of Harold Pinter's characters.
Daryle Maciocha (SIWP06.NMAA.DARYLE@ic.si.edu):
John Barry - 'The Knack and How to Get It (Original Motion Picture
Soundtrack)' (1965)
The music for Richard Lester's fabulous Mod film.
12 variations on the theme using strings, hammond organ, glockenspiel
and bass to create an album of jazzy, bluesy, swinging pop lightness the
way only John Barry could do it. Brilliant!
Jane Pow - 'Love It Be It' (1992)
Great Moddish pop. Incredibly varied,
taking cues from 60's pop (Beach Boys, Nazz, Beatles). The album is a
swirling soaring record with lots of boisterous sounds and lovely mildly
psychedelic acoustic bits.
The James Taylor Quartet - 'The Money Spyder' (1993)
All instrumental
rocking soundtrack to an ersatz 60's spy movie.
The High Numbers - 'Who the Fuck?' (c. 1979)
Great bootleg LP of early Who stuff, including the first two High Numbers singles "I'm the Face" and
"Zoot Suit" as well as demo versions of "My Generation," "Summertime
Blues," "Pictures of Lily," etc. AND recordings for Radio One, turning "My
Generation" into "My Favorite Station" and "Happy Jack" into a 9 second
advert "Happy Jack had some fun/here on Radio One" ba-dum, end.
Booker T. & the MGs - 'McLemore Avenue' (1968)
The Stax house band
does an (almost) all-instrumental version of the Beatles' 'Abbey Road' LP
in its entirety, changing only track order so the songs fit into side-long
medleys. 'McLemore Avenue' is the street in Memphis, TN where the
Stax Records headquarters were located. Anyone who's heard Booker
T. & the MGs' version of "Something" (on most of the greatest hits
collections that have come out on CD, most recently the one on Rhino
Records) have only skimmed the surface.
Brian Poust (MADNESS@UNIVSCVM.CSD.SCAROLINA.EDU):
Ocean 11 - The Good, The Bad, The Ugly
Southern California has had a toe hold on the trad. ska sound
for years, and Ocean 11 carry the banner higher than just about
anyone. Their sound does complete justice to the style and
feeling of original ska and rocksteady groups, and how can
you go wrong with Greg Lee and Alex Desert of Hepcat singing on
a few songs?
The Prisoners - A Taste of Pink
So it's from 1982, so what? This is a perennial favorite of
my turntable, even if it isn't the best executed record of all
time. These were 4 smart young lads who definitely deserved
more than they got. One of my fave. 60's garage records ever.
Marvin Gaye - Let's Get It On
"What's Going On" may be more of a recognized classic by Marvin,
but "Let's Get It On" carries just as much emotional weight
any day of the week. Hands down, the best make out record of
all time.
Elvis Costello - Armed Forces/Get Happy
In order to keep myself from writing volumes about the man,
suffice to say that brilliance only scratches the surface.
"Armed Forces" is pure anger, but with style, and "Get Happy"
is still one of my favorite post 1970's soul records.
To say respect is due only begins...
John Patton - Boogaloo
Part of Blue Note's recent vault clearing escapade, Boogaloo
is one of Patton's best. It drips with more soul and funk than
the law should allow and I can't beleive it took Blue Note
nearly 30 years to let this album see the light of day. John
Patton's Hammond playing should be an inspiration to any James
Taylor Quartet or Booker T. fan.
Richard Karstroem (rkarstro@cap.se)
The Soul Survivors - Express Way to Your Heart
released in 1967. A real groovy number with nice traffic sounds, a wonderful
organ, and a singer that sounds like he really means it! Should get
any Northern Soul lover out on the dancefloor in a jiffy!
Jimmy Smith - The Cat
released in 1964 Not strictly Acid Jazz, more like a struttin' and really fast
cool TV series theme song. Written by Lalo Shifrin and being from the
movie "Joy House", the fact that is sounds like a theme song isn't
that weird, as it actually is. Trivia fact - Lalo Shifrin has provided
music for a few Clint Eastwood movies as well.
Dionne Warwick - You'll never get to heaven
released in 1964 Music by Burt Bacharach and lyrics by Hal David, need I say
more really? Well, it's a good song to hear while standing at the bar,
sippin at a cool drink and getting ready to hit the dancefloor. You
can almost forgive Dionne for the dreadful "That's What Friends Are
For". Hey, I said almost, only almost.
Edward Bogle (BogleEdwa@urvax.urich.edu)
The Who - "A Quick One"
1995 Remastered CD Edition, MCA Records
This is the remaster of the original 1966 album as well as some unreleased
tracks and tracks from the "Ready, Steady, Who!" EP of 1966. The original
album typifies The Who at the height of their mod, Anglopop style, and with
the expanded tracks, this new CD becomes a mod Who-fan delight. Another
great thing about this disc is that the sound quality is superb because of
the remastering job that was done on it. This CD is probably the best one I
own, and believe me it has competition.
The Who - "Sell Out"
1995 Remastered CD Edition, MCA Records
Again, this is a remaster of a Who album. "Sell Out was released in 1967,
and it can amost be considered a work of art. Arguably the first concept
album, it is one continuous stream of music, linked by small advertisments
for such products as Rotosound Strings, Radio London, Premier Drums, etc.
The idea is that you are listening to a radio station. The tracks are an
eclectic mix typical of the Who. There are psychadelic pieces as well as
pounding rockers, and soft acoustic numbers right before loud electric
numbers that just take right off. The unreleased tracks that appear on the
disc are particularly interesting, not to mention excellent. Again, as with
"A Quick One," the quality of the sound is great.
The Creation - "How Does it Feel to Feel"
1990 CD Edition, Demon Records
The Creation has a very loud, often raunchy sound. The lead guitar often
sounds like it's being played through a broken amp. But no matter what, the
sound is very unique and I personally think it's pretty cool. The lyrics
are usually good as well, and the sound quality is nothing to complain
about. I would characterize The Creation as sort of a cross between The Who
and The Kinks (actually, the lead guitarist was asked to be in The Who!), so
if you don't like that sort of thing, stay away. Overall, it's a damn good
CD, and there are only a few tracks that I don't care for.
The Beatles - "Live at the BBC"
1994 CD Edition, EMI Records
The Beatles. That's probably enough right there. This is a collection of
old tracks recorded from the Beatles BBC radio show from 1962-1965. The
vast majority of these are old R&B, and rockabilly/country tunes with a
handful of Beatles originals (nothing you haven't heard before, though).
The covers are great, and I actually like the Beatles' versions of a bunch
more than I like the originals. Besides the fact that the music is great,
it's fun to hear the Beatles banter between tracks, and also te hear their
original sound. I highly recommend this one of rpeople who like original
style American rock and roll a la Buddy Holly, Elvis, Chuck Berry.. or for
people who like The Beatles. If you're either one of those or both, you'll
love it.
The Kinks - "Tired of Waiting for You"
1995 Special CD Edition, Rhino Records
Early Kinks at its best. There's a couple quick riff tunes, as well as some
slower riff tunes, and of course a slower more satirical piece. It's a lot
cleaner than The Creation, but not a clean sound at all. It's that classic
Kinks guitar sound. The only thing that's not so great about the album is
the fact that it only has ten tracks. But at a good, price, it's worth it.
I definitely recommend this one for anyone who likes The Kinks or just a
post-Beatles, non-Liverpool style of music.
Dave (Steevn@aol.com):
Herman's Hermits - "Last Bus Home"
Next-to-last album on their LP "Blaze" (1967, I believe), has a good,
solid pop sound, but without the bubblegum feel of their better known
singles. Much more like The Jam than "Mrs Brown You've Got A Lovely
Daughter."
Working Week - "Rodrigo Bay"
I know absolutely nothing about this band, other than this single which
appears on the soundtrack album from "Absolute Beginners." Fab song,
though... very cool early 6ts feel, jazzy and mod through and through.
Shriekback - "Nemesis"
Yeah, I know it has nothing whatsoever to do with mod, but it's a great
song. Had to include it.
Marcus Ransom (s923990@minyos.xx.rmit.EDU.AU)
The Breadmakers - 12 More Miles To Midnight.
Cordouroy Records. Mono!
Melbourne's own Louisiana swamp pop band. Piles of Slim Harpo covers such as
"do the hipshake" and "breadmaker".
Little Murders - Things Will Be Different
Au-go-go Records. Melbourne's
eighties mod "revival" band that made it to the mainstream charts and provided
us with our theme song that still gets played by all the bands over a decade
later. Power pop to the core.
The Squad - Totelly Live
Electrically recorded live at the Tote in
Collingwood, Melbourne.
The squad are the band who have played more gigs since they split up than when
they were officially together. "midnight hour" ala the Jam, plus some energetic
Power pop "cortina mk III" and some originals.
Blurboy@aol.com
"This is Mod Volume One"Comet Gain - "Casino Classics"
I've had this one for several months now, but
i've been listening to it a lot again...very good, has some nice organ
playing...
The Clique - Bareback Donkey Riding single
Very good, has a version of otis
reding's "security"...i'm keen on getting the lp soon...
Blur-The Great Escape
It's an alright album, not meant for the mod's list
in fact but it's pretty good...a bit of a let down maybe...
Michelle (Tracee150@aol.com)
The Jam - "Liza Radley"
off the The Jam Extras
This song to me is very beautiful and I think it is ultra cool because I
could not find it on any other Jam album or single. I think it would be
right up there with "English Rose".
Squire - "Does Stephanie Know"
Off a mini single I picked up in San
Francisco that was on red floppy vinyl. Unfortunately my X got it in the
divorce. Personally, "Squire" is one of my favorite Mod bands. They are
just very hard to find here in the states.
Smashing Pumpkins - "Landslide"
off Pisces Iscariot
I know this song is a remake and I accept that fact, but I love it anyway. I
know it is not a Mod song, but it is just beautiful.
Dave Benach (mod79@well.com)
Eric Dolphy - Out to Lunch
Early 60's cool jazz with lots of vibes. Feels
like the perfect soundtrack for stylin' down the street.
Mystic Eyes - Our Time to Leave
Full-on garage on Get Hip Records.
Dexy's Midnight Runners - Searching For The Young Soul Rebels
I know these
guys were supposed to be a big mod revival band at some point (before their
ultimate crusty hit 'Come on, Eileen'), but I just think this album is
*funny*. I mean, listen to a song like 'Geno', it's great... but funny.
James Evin Sides (jsides@cougarnet.byu.edu)
http://media.uvsc.edu/media/georgiti/tapdr/tapdr.htmll
The Definitive Otis Redding
Otis was the most soulful man that ever
lived. He's my idol and I've been listening to him about as long as I've
been alive (almost 28 years). My dad was really into Otis (he even saw
him in Washington D.C. many years ago) and as a kid my whole family would
get together and dance to a Wilson Picket/Otis Redding compilation record
that we had. This would probably be my desert island pick.
Elvis Costello & the Attractions - "Get Happy"
Elvis is another one of my all
time faves. It's tough to pick out an album but this one was a tribute to
American soul. They tried to mimick a lot of Booker T. & the M G's
sounds and and did a damn good job considering Booker T had one of the all
time most incredible bands.
The Clash - "On Broadway"
I love the Clash. This compilation is missing a
couple really incredible tracks but it is probably the most accurate
representation of the bands musical evolution and doesn't include
anything from their last album (w/o Mick Jones & Topper Headon) "Cut the
Crap" which was just that.
The Jam - "Sound Affects"
Here's another band that's tough to pick from. I
love every single album these fellas put out, but the production on this
album is just magical to me (All Mod Cons has a somewhat similar
production as well). The songs are well thought out and really different
from eachother in nature, but put together they tell a great story. It's
one of those records I could never tire of.
The Buddy Holly Collection
Buddy Holly is my favorite white rock &
roller. He was freaking brilliant and only getting better before he died.
He & Otis were kings!
Scott (MOD64@aol.com)
Rufus Thomas - "Can't Get Away From This Dog"
20 tracks from STAX
- Great American R&B 63'-67' with help from Booker T. & the MGs and the
Mar-Key Horns-makes me want to Groove!
"A Shot Of Rhythm and Blues" - The R&B ERA Vol. 1
22 tracks of British R&B
from 63'-65'- brilliant compilation from Sequal Records
Skavoovie & the Epitones
These kids can play. First release from the
Boston ska outfit. They have a definate 60's club ska sound, are great live,
and I can't wait for their next release coming out any month now.
Johnny Liu (superfly@eden.rutgers.edu)
Major Lance - Monkey Time
Being a big fan of 1960's soul, Major Lance is my favorite act. If
you see footage of him on stage, his moves and presence more than make up for
his thin voice. This track is a great example of Curtis Mayfield's arranging
style(he wrote all of Major Lance's hits).
Booker T. and the M.G.'s - Green Onions
This simple minor blues groove was another fine example of what made
1960's soul great music, i.e. simple yet tasteful melodies, harmonies, and
chord structure. The groove they create on this song is what is great.
Jimmy Smith - 1-2-3
Known as more of a jazz and blues organist than anything else, his
cover of 1-2-3 is one of the best covers I've ever heard of a song,i.e it was
much better than the original arrangement. The bass anchors the groove and
is not obnoxious or overbearing and Jimmy has a real feel for the melody and
the organ--his playing is lyrically close to the original melody, yet he
knows where to go off on soulsy points and does so well.
The Skatalites - Dr. Kildare
A 1960's track, this little heard song encompasses many moods at
once. The melody is simple and happy, the chords are jazz flavored yet do
not get too jazzy. An overall feel-good track.
Frank Sinatra - The Way You Look Tonight
My favorite Sinatra track, not much to be said except its great while
ending a pitcher at closing time in your favorite bar.
Shawn (sdm184s@nic.smsu.edu)
John Coltrane - A Love Supreme....
Impulse! Records - beautiful, soulful MODern jazz. hasn't left the turntable for some
time now.
Rockin' Steady - The Best of Desmond Dekker....
Rhino Records This is the best compilation of early Desmond i've found. A lot of the
jamaican stuff is on here, not the later Stax Records-sounding tracks
from his days recording in the UK with (blecch!) a full string section.
The Skatalites - Hi-Bop Ska!
Shanachie - Buy it. Why? Louis Armstrong: "If you don't already know, there ain't no
point in tellin' ya."
Lisa Gerson (lgerson@mcs.net)
maintainer, modslist
Thurman - Lux
Terrific mod-pop album with influences from The Kinks, Beatles, Small Faces, T-Rex, Jam, and Blur.
Pulp - Different Class
This one has been stuck on the turntable since I got it. Jarvis Cocker's lyrics are brilliant.
Clique - Self Preservation Society
This is the full length album from one of the best mod bands around. Incredible Hammond organ by Dom Srtickland.
Swingin' Neckbreakers - Shake Break!
New album from one of the top Garage bands. Great songs, great playing, and a great cover. These guys just keep getting better.
Dan (MstyWatr@aol.com)
The Eyes - "When The Night Falls"
Serious 1965 toggle switch damage, a
meaty, beaty 12-bar lament for a screwed-up relationship, sped up and
concussed by a mind-blowingly metallic guitar sound. The guitar intro sounds
like some sort of deranged Koto, and supplies a sense of druggy
disorientation from the get-go.
The Creation - "Making Time"
Eddie Phillips and his magic violin bow,
wrenching malevolent sounds from a recalcitant Strat as the band barrels in
and out of time in the wonderfully chaotic way that today's click-track bands
can never hope to approximate. Vocalist Kenny Pickett sounds like he's up for
more than a bit of trouble, and the high, pilled-up vocal harmonies ice the
cake.
The Times - Red With Purple Flashes
Named for Eddie Phillips's famous
description of The Creation's sound, Ed Ball's early 80s ode to mod music
sounds more like a great lost Jam song. But with a catchy "doo-doot-doo"
chorus, slashing guitars, and the all-important propulsive beat, who's
complaining?
The Who - Substitute
Identity problems, falsetto harmonies, and a guitar
lick that should be required learning for every schoolkid - to my mind, The
Who's greatest three minutes on wax. We can argue til the end of the next
millenium about whether or not Townshend and Co. should be called "Mod," but
dig Steve Marriott's 1984 words on the subject: "I don't think you could call
[The Who] bandwagon jumpers because they were probably as innocent to the
whole fuckin' thing as we were. Now, it's become the snobbish thing to say,
that The Who were manufactured. Nah, I don't think they were. They were a
natural."
The Jam - Life From a Window.
Buried in the middle of This Is The Modern
World, this wistful, power-chorded meditation on loneliness and alienation
has always tugged my heartstrings. It remains, like the album it comes from,
a sentimental favorite for me...
jenn - (jgardy@wimsey.com)
I can only think of two picks for the mod Cd/singles project, those being A Town Called Malice cos it's the best Jam song, and Supa Shoppa by Blur just cos I like it...
Vincent Wong (vincent_wong@student.sbe.scarborough.on.ca)
Blur, The Cardigans, Pulp, and The Beautiful South
Yeah I know that most of these aren't mods, but the brilliant never the less.
The other thing that would make them mods is that they use their minds,
and not their looks, althogth these bands are rather stylish.
Jordana Robinson (jbr109@psu.edu )
Thurman-Lux
Make-up and Slant 6 split single
Magnetic Fields - all the umbrellas in london single
The Charlatans remixed by the chemical bros
The Verve - history [which honestly makes me cry, but then i am a
sentimental pop lover, aren't i?]